No, no, no

Where Dad (and his side of the family) is from:

Where Mom (and her side of the family) is from:

I was reminded by some stupid commercial on NBC about how this month was Hispanic Heritage Month, and I quickly rolled my eyes because, to me, any heritage month is a stupid idea. Why do we need a month? Don't we already celebrate our heritage every single day of the year just by being who we are? I'm Mexican-American (yeah, I know, Sarver isn't a very "Mexican" last name. That's because it is not.), every single day of my life I know that I'm Mexican-American. I don't need a month to remind me about how important Celia Cruz is. She isn't important to me because I'm not Cuban-American. If it was Paquita la del Barrio, then it'd be a different story. That's the thing with these heritage months. They just lump everyone into one big group, when in reality, we're not just one big group. We're different groups who all just happen to speak Spanish, but even then, the way we speak Spanish differs from one another. Maybe a lot of people will disagree with me, however I stand by what I say, I don't want to be lumped into one group, I don't want a special month. I have twelve months where I get to celebrate my heritage. So take that, stupid commercial on NBC!

They are called novelas, not soap operas

Today I was hanging out with my in-laws and they were watching a novela. Novelas are great because they're so much better than English soap operas and they never drag on for 60-something years or get canceled because they usually end in a wedding in about 6 months. 
The story lines are always recycled and sometimes they should be called "rich guy, poor girl" stories, but not all of them are like that. There are a few gems out there, and I'm here to list a few of my favorites.

PUEBLO CHICO, INFIERNO GRANDE

Set in the early 1900s, Veronica Castro's character is a rich, middle-aged widow who falls in love with a poor, much younger and very handsome (duh) man who works on her land. No one can learn about their love affair, but the people in her small town learn about it anyway. Long story short, he dies at the end of the novela and she cries and that's why I loved it. It didn't have a happy ending, which is rare in Mexican novelas.

LA MENTIRA

 A betrayal leads to a suicide. There's a mistaken identity, and we see some guy try and ruin the life of the woman he loves all because her jealous cousin made him believe some lie. It ends happily ever after when they find out the truth and the guy stops ruining his girlfriend's life. 

DKDA

I was never really sure what this novela was about. There's a group of middle class teenage kids en el DF and their token poor friend who are in a music group called DKDA and they're all coupled off. One of the girls in the group attempted suicide a few times throughout the novela, and one guy took his sister hostage because she was leaving him behind. Real intense stuff to watch at the tender age of 12.

MUCHACHITAS

I was really into gymnastics as a kid. And they were always doing gymnastics, or at least they were in the intro.